The sample is too slow to rap over, so the first step it to raise the speed and pitch. Kanye prefers to use the keyboard and painstakingly getting the timing right through trial and error ( Kanye West making an ill track in the studio – YouTube), but you can also use MIDI pads if you have them, or adjust the blocks in the Piano Roll. The ASR-10 is pretty outdated now, not that that stops Kanye from using it, but we can use a similar technique by utilising Ableton Live’s “Slice to New MIDI Track“ function, which will cut our sample into bits and let us play it back however we want. As A DJ that was perfect, I could scratch in what I wanted and sample and hear it as I did it, and be on beat every time.” -RZA (The Wu-Tang Manual) Therefore you could monitor what you were sampling and hear what you were adding to it. You could sample while playing your beat. I mean, let’s say you already made a drum pattern. “The beautiful thing about the ASR-10 is this: It was the first sampler that you could play the beat that you made. Here’s what the Wu-Tang Clan’s RZA has to say about the ASR-10: ![]() Kanye’s method of sampling technique is typical of sampling from the 90s, and he is the master of manipulating tempo to chop and stretch his samples, which he does on an Ensoniq ASR-10.
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